{"title":"Isezaki Mitsuru (伊勢﨑満)","description":"","products":[{"product_id":"jp266-isezaki-mitsuru","title":"Isezaki Mitsuru (伊勢﨑満), Japanese, (1934–2011)","description":"\u003cp\u003e\u003cstrong\u003eA Bizen Spouted Bowl (Katakuchi)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShowa Era (1926-1989) or Heisei Era (1989-2019) \u003cbr\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eAbout the work\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThis handled bowl is an authentic work by Isezaki Mitsuru, a prominent Bizen potter and full member of the Japan Kōgei Association. The vessel displays the characteristic reddish-brown clay and subtle ash deposits of traditional Bizen ware, with natural firing effects lending depth and individuality to the surface. The slightly asymmetrical spout form (katakuchi) provides both function and expressive charm, embodying the wabi-sabi aesthetics of unglazed, high-fired stoneware. Its robust yet refined form highlights the timeless appeal of Bizen ware as both a practical and artistic ceramic tradition.\u003c\/p\u003e\n\u003cp\u003eThe bowl is accompanied by its original signed wooden storage box (tomobako), protective cloth, and documentation, ensuring authenticity and provenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e5.6cm(h) x 18cm(w) x 17.5cm(d)\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eFootnote\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eIsezaki Mitsuru (1934–2011) was born in Imbe, Bizen City, Okayama Prefecture, the eldest son of Isezaki Yōzan, a recognized preserver of Bizen traditions. Trained by his father, he also studied sculpture at Okayama University before establishing himself as a major figure in postwar Bizen ceramics. From 1959 he was regularly selected for the Japan Traditional Crafts Exhibition and later contributed to important national ceramic exhibitions. In 1962 he successfully revived and fired an ancient Heian-period Bizen kiln, reinforcing his role in preserving traditional techniques. Alongside tea and sake vessels, he produced large-scale ceramic sculptures, reflecting both mastery of Bizen tradition and innovative artistic vision\u003c\/p\u003e","brand":"Isezaki Mitsuru","offers":[{"title":"Default Title","offer_id":55645681385858,"sku":"JP266","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/3830\/4706\/files\/JP266-1.jpg?v=1757325462"},{"product_id":"jp345-isezaki-mitsuru","title":"Isezaki Mitsuru (伊勢﨑満), Japanese, (1934–2011)","description":"\u003cp\u003e\u003cstrong\u003eA Bizen Guinomi (備前ぐい呑)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShowa Era (1926-1989) or Heisei Era (1989-2019) \u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eAbout the work\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThis Bizen guinomi by Isezaki Mitsuru stands as a finely balanced example of natural wood-fired expression. Its compact, rounded form sits comfortably in the hand, the gently flaring lip lending both aesthetic refinement and ease of use. The surface displays a complex range of yohen effects, from deep, iron-bearing browns to areas touched by ember flashes and fine crystalline ash. These variations arise entirely from the anagama firing process, giving the piece a quiet depth and a distinctly organic presence. The interior is smoother and more subtly finished, offering a pleasing contrast to the textured exterior. \u003c\/p\u003e\n\u003cp\u003eThe guinomi is accompanied by its original tomobako, protective cloth, and insert.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e6.1cm(h) x 7cm(w) x 6.3cm(d)\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eFootnote\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eIsezaki Mitsuru (1934–2011) was born in Imbe, Bizen City, Okayama Prefecture, the eldest son of Isezaki Yōzan, a recognized preserver of Bizen traditions. Trained by his father, he also studied sculpture at Okayama University before establishing himself as a major figure in postwar Bizen ceramics. From 1959 he was regularly selected for the Japan Traditional Crafts Exhibition and later contributed to important national ceramic exhibitions. In 1962 he successfully revived and fired an ancient Heian-period Bizen kiln, reinforcing his role in preserving traditional techniques. Alongside tea and sake vessels, he produced large-scale ceramic sculptures, reflecting both mastery of Bizen tradition and innovative artistic vision.\u003cbr\u003e\u003c\/p\u003e","brand":"Isezaki Mitsuru","offers":[{"title":"Default Title","offer_id":56177919459714,"sku":"JP345","price":190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/3830\/4706\/files\/Isezaki_Mitsuru_JP345-1.jpg?v=1768820036"},{"product_id":"jp499-isezaki-mitsuru","title":"Isezaki Mitsuru (伊勢﨑満), Japanese, (1934–2011)","description":"\u003cp\u003e\u003cstrong\u003eA Bizen Tokkuri (備前徳利)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShowa Era (1926-1989) or Heisei Era (1989-2019)\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eAbout the work\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThis Bizen tokkuri by Isezaki Mitsuru presents a powerful study in natural kiln effects and refined form. The rounded body tapers smoothly into a short, flared neck, creating a profile both functional and sculpturally grounded. The surface is marked by rich yohen variation, with deep reddish tones interspersed with golden ash deposits and subtle, granular textures born from extended wood firing. These kiln signatures emphasize the clay’s mineral content and the artist’s command of traditional anagama practice. The foot carries the characteristic traces of the kiln floor, underscoring the piece’s authenticity and direct materiality. \u003c\/p\u003e\n\u003cp\u003eThe tokkuri is accompanied by its original tomobako, protective cloth, and insert.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e12.8cm(h) x 10cm(w)\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eFootnote\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eIsezaki Mitsuru (1934–2011) was born in Imbe, Bizen City, Okayama Prefecture, the eldest son of Isezaki Yōzan, a recognized preserver of Bizen traditions. Trained by his father, he also studied sculpture at Okayama University before establishing himself as a major figure in postwar Bizen ceramics. From 1959 he was regularly selected for the Japan Traditional Crafts Exhibition and later contributed to important national ceramic exhibitions. In 1962 he successfully revived and fired an ancient Heian-period Bizen kiln, reinforcing his role in preserving traditional techniques. Alongside tea and sake vessels, he produced large-scale ceramic sculptures, reflecting both mastery of Bizen tradition and innovative artistic vision.\u003c\/p\u003e","brand":"Isezaki Mitsuru","offers":[{"title":"Default Title","offer_id":56200511259010,"sku":"JP499","price":190.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0549\/3830\/4706\/files\/Isezaki_Mitsuru.jpg?v=1768448297"}],"url":"https:\/\/orientalteabox.com\/collections\/isezaki-mitsuru.oembed","provider":"OrientalTeaBox","version":"1.0","type":"link"}