Harada Shuroku (原田拾六), Japanese, b. 1941

A Bizen Plate (備前皿)

Showa Era (1926-1989), Heisei Era (1989-2019) or Reiwa Era (2019 – present)

About the work

This Bizen plate by Harada Shuroku exemplifies the quiet strength and painterly surface qualities that define his work. The form is broad and gently contoured, with a subtly irregular rim that lends the plate a natural, unforced presence. Its shallow depth and generous diameter allow the surface to read almost like a canvas, emphasizing the interaction between clay and fire.

The surface displays classic Bizen firing effects, with warm reddish and ochre tones emerging through darker, kiln darkened areas. Ash deposits and flame marks form organic, cloud like patterns across the plate, creating a sense of movement and depth. These natural variations are the result of prolonged wood firing and careful kiln placement, hallmarks of Harada’s practice. The clay remains unglazed, allowing the texture and coloration to develop solely through fire.

Both functional and sculptural, the plate is suitable for use while standing confidently as an object of contemplation. It is accompanied by its original wooden storage box, confirming authenticity and provenance.

Dimensions

2.9cm(h) x 20cm(w) x 19.3cm(d)

Footnote

Harada Shuroku, born in Okayama in 1941, first pursued agricultural studies at Meiji University before rediscovering the appeal of the Bizen ceramics he had known since childhood. After returning home, he established a small anagama kiln in Imbe in 1971, followed by a noborigama in 1972. His encounter Bizen scholar Katsura Matasaburo in 1975 deepened his study of Momoyama-period Bizen, leading him to investigate historic kiln sites and clay traditions. In 1991 he built another anagama at Ushimado’s Amida Mountain. Recognized for his dedication, he received the Japan Ceramic Society Award in 2000.