Isezaki Mitsuru (伊勢﨑満), Japanese, (1934–2011)

A Bizen Guinomi (備前ぐい呑)

Showa Era (1926-1989) or Heisei Era (1989-2019) 

About the work

This Bizen guinomi by Isezaki Mitsuru stands as a finely balanced example of natural wood-fired expression. Its compact, rounded form sits comfortably in the hand, the gently flaring lip lending both aesthetic refinement and ease of use. The surface displays a complex range of yohen effects, from deep, iron-bearing browns to areas touched by ember flashes and fine crystalline ash. These variations arise entirely from the anagama firing process, giving the piece a quiet depth and a distinctly organic presence. The interior is smoother and more subtly finished, offering a pleasing contrast to the textured exterior. 

The guinomi is accompanied by its original tomobako, protective cloth, and insert.

Dimensions

6.1cm(h) x 7cm(w) x 6.3cm(d)

Footnote

Isezaki Mitsuru (1934–2011) was born in Imbe, Bizen City, Okayama Prefecture, the eldest son of Isezaki Yōzan, a recognized preserver of Bizen traditions. Trained by his father, he also studied sculpture at Okayama University before establishing himself as a major figure in postwar Bizen ceramics. From 1959 he was regularly selected for the Japan Traditional Crafts Exhibition and later contributed to important national ceramic exhibitions. In 1962 he successfully revived and fired an ancient Heian-period Bizen kiln, reinforcing his role in preserving traditional techniques. Alongside tea and sake vessels, he produced large-scale ceramic sculptures, reflecting both mastery of Bizen tradition and innovative artistic vision.