Masayuki Imai (今井 政之), Japanese, 1930-2023

An Inlaid Ring Pattern Incense Burner (象嵌輪彩掛香炉)

Heisei Era (1989-2019) or Reiwa Era (2019-present)

About the work

This incense burner by Masayuki Imai is a refined and intellectually rigorous work that exemplifies his mastery of ceramic inlay and form. The vessel is compact and symmetrically balanced, its rounded body tapering gently toward both the base and the shoulder. A pierced, dome shaped lid crowns the form, carefully engineered to regulate the release of incense smoke while maintaining visual harmony with the body below.

The surface is defined by meticulously executed horizontal bands created through zōgan inlay techniques. Alternating layers of dark iron rich clay and lighter earthen tones form a rhythmic sequence that wraps the vessel in measured continuity. Subtle variations in color and texture emerge across the bands, revealing the precision of the inlay work and the nuanced effects of firing. The matte surface finish enhances the graphic clarity of the pattern, while the crisp edges of each band attest to exceptional technical control.

It is accompanied by its original wooden storage box and descriptive leaflet, confirming authenticity and careful preservation.

Dimensions

13cm(h) x 11cm(w) x 11cm(d)

Footnote

Masayuki Imai was a highly influential Japanese ceramic artist celebrated for pioneering innovative inlay techniques and the development of his distinctive kandeisai style. Born in Osaka, he trained in Bizen ware before moving to Kyoto, where he studied under Kusube Yaichi and became a founding member of the Seitokai group. Renowned as a leading authority on inlaid floral and fish motifs, his work gained international acclaim. Imai held numerous senior cultural posts, was a member of the Japan Art Academy, and was named a Person of Cultural Merit. In 2018, he received the Order of Culture, one of Japan’s highest artistic honors.