Isezaki Mitsuru (伊勢﨑満), Japanese, (1934–2011)

A Bizen Tokkuri (備前徳利)

Showa Era (1926-1989) or Heisei Era (1989-2019)

About the work

This Bizen tokkuri by Isezaki Mitsuru presents a powerful study in natural kiln effects and refined form. The rounded body tapers smoothly into a short, flared neck, creating a profile both functional and sculpturally grounded. The surface is marked by rich yohen variation, with deep reddish tones interspersed with golden ash deposits and subtle, granular textures born from extended wood firing. These kiln signatures emphasize the clay’s mineral content and the artist’s command of traditional anagama practice. The foot carries the characteristic traces of the kiln floor, underscoring the piece’s authenticity and direct materiality. 

The tokkuri is accompanied by its original tomobako, protective cloth, and insert.

Dimensions

12.8cm(h) x 10cm(w)

Footnote

Isezaki Mitsuru (1934–2011) was born in Imbe, Bizen City, Okayama Prefecture, the eldest son of Isezaki Yōzan, a recognized preserver of Bizen traditions. Trained by his father, he also studied sculpture at Okayama University before establishing himself as a major figure in postwar Bizen ceramics. From 1959 he was regularly selected for the Japan Traditional Crafts Exhibition and later contributed to important national ceramic exhibitions. In 1962 he successfully revived and fired an ancient Heian-period Bizen kiln, reinforcing his role in preserving traditional techniques. Alongside tea and sake vessels, he produced large-scale ceramic sculptures, reflecting both mastery of Bizen tradition and innovative artistic vision.