Hiromi Okumura (奥村博美), Japanese, B.1953

An Inlaid Sculptural Vessel (象嵌器)

Showa Era (1926-1989) or Heisei Era (1989-2019) or Reiwa Era (2019 – present)

About the work

This large-scale sculptural vessel by Hiromi Okumura presents a commanding, organic form that blurs the boundary between ceramic object and abstract sculpture. Rising vertically with a height of 45 cm, the work is defined by a sharply tapered profile and a narrow, elongated opening that draws the eye inward. The asymmetrical silhouette conveys a strong sense of movement and tension, as if the form were carved by natural forces rather than shaped by hand.

The surface is richly textured with fine incised lines and subtle inlay work, creating a dense, tactile skin that catches light differently from every angle. Earthy brown tones dominate, enhanced by variations in firing that add depth and visual complexity. The piece maintains a powerful presence whether viewed from the front, side, or rear, rewarding slow, contemplative observation.

The work is accompanied by its original wooden storage box and cloth, confirming authenticity and provenance.

Dimensions

45cm(h) x 35cm(w) x 24cm(d)

Footnote

Hiromi Okumura was born in Kyoto in 1953 and currently lives and works in Kameoka, Kyoto Prefecture. He completed his graduate studies at Kyoto City University of Arts in 1978 and began his ceramic practice in Kameoka the following year. Okumura has worked with a wide range of techniques, including wheel throwing, plaster and paper molds, sometsuke, and inka decoration. In 1987, he developed his inlay vessels series, followed by white glazed works using slab construction in the early 1990s. His practice evolved toward highly sculptural forms, including flame vessels that explore glaze and surface.