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A Yohen Flower Vase (窯変花生)
Showa Era (1926-1989)
About the work
A powerful and rustic flower vase (hanaire) by Rikei Imai, marked as a creation from the artist's 初窯 (first firing) in 1986. This tall, wood-fired vessel is a striking example of kiln transformation, or yohen (窯変), where natural ash and flame markings during firing produce rich textures and complex surfaces.
The form is cylindrical and slightly tapered, with subtle undulations and a dramatically flared rim. The natural ash deposits and scorched patterns highlight the wildness and unpredictability of traditional anagama or noborigama firing. This vase is presented with a tomobako (signed wooden storage box), ensuring authenticity and heritage.
Dimensions
23cm(h) x 10.5cm(w) x 10cm(d)
Footnote
Born in 1947 in Aomori Prefecture, Rikei Imai is a master potter known for his work in Tsugaru Ujoyaki—a regional ceramic tradition that emphasizes natural glazes formed through wood-fired kilns. Deeply committed to traditional methods, Imai employs anagama and noborigama kilns, which allow ash deposits and flame paths to create unrepeatable patterns and textures. His pieces often convey the raw beauty of nature and the spirit of the clay, uniting form and fire in harmonious expression. Imai’s work is featured in exhibitions and cultural institutions throughout Japan, including the Tsugaru Tea Ceremony Museum, where his pottery serves both artistic and educational purposes.