Emu Yamada (山田絵夢) Japanese, b. 1954

A Tokoname Stoneware Hanging Vase (常滑 花入)

Showa Era (1926-1989), Heisei Era (1989-2019) or Reiwa Era (2019-present)

About the work

This hanging flower vase by Emu Yamada is a striking sculptural work that draws on the rustic strength of Tokoname ware while asserting a distinctly contemporary presence. The vessel is formed with a rounded, slightly compressed body that rises from a narrow foot, creating a grounded yet dynamic silhouette. A hand braided handle arches over the opening, its organic twist adding tension and vertical movement to the composition.

The surface is richly textured and fired to a deep charcoal brown with scattered ash and kiln effects. Subtle pitting, flashes of lighter grey, and areas of natural roughness record the intensity of the firing process, giving the piece a weathered, almost archaeological character. The interior is dark and unglazed, reinforcing the raw materiality of the form.

Both vessel and sculpture, this flower vase reflects Yamada’s sensitivity to clay, fire, and function. It is accompanied by its original wooden storage box, confirming authenticity.

Dimensions

22.7cm(h) with handle x 13.5cm(w)

Footnote

Yamada Emu (山田絵夢) is a Tokoname potter and the fourth-generation successor to the esteemed Jozan kiln, bearing the title 四代常山 (Yondai Jozan). Tokoname ware, one of Japan’s Six Ancient Kilns, is celebrated for its iron-rich red clay and enduring craftsmanship. As a descendant of a highly respected ceramic lineage, Yamada upholds the traditions of Tokoname pottery while contributing her own artistic voice. The Jozan name is particularly revered for its masterfully crafted teapots and traditional forms, and its successors are regarded as leaders in the ceramic arts.