Suzuki Kosetsu (鈴木古拙), Japanese (1876–1949)

A Bronze Karashishi Relief Vase (青銅唐獅子文一輪生)

Taisho Era (1912-1926) or Showa Era (1926–1949)

About the work

An exceptional bronze vase by Suzuki Kosetsu, one of the distinguished masters of Takaoka metalwork. Cast in a rare flattened circular form, the vessel is decorated on both sides with finely modelled relief images of karashishi (Chinese guardian lions), symbols traditionally associated with strength, protection, and prosperity in East Asian art.

The rich bronze surface displays a warm reddish-brown patina developed through careful casting and finishing techniques, while subtle variations in tone enhance the sculptural quality of the relief decoration. The compact body is fitted with a narrow cylindrical neck and accented by small loop-form handles at the shoulders, creating a harmonious balance between functionality and artistic expression.

Designed as an ichirin-ike (single-flower vase), the work reflects the refined aesthetics of Japanese flower arrangement, where a solitary bloom is celebrated through the beauty of its vessel. The combination of sculptural relief, elegant proportions, and masterful bronze craftsmanship exemplifies the artistic achievements of Takaoka metalware during the first half of the twentieth century.

The vase is accompanied by its original signed wooden storage box (tomobako).

Dimensions

15.2cm(h) x 12.5cm(w) x 4.7cm(d)

Footnote

Suzuki Kosetsu (鈴木古拙, 1876–1949) was a prominent Japanese metalwork artist and master bronze caster active from the late Meiji period through the early Shōwa era. He was closely associated with the celebrated tradition of Takaoka copperware in Toyama Prefecture, one of Japan's foremost centres for metal casting renowned for its production of bronze sculpture, Buddhist ritual objects, flower vessels, and decorative arts.

Working primarily in cast bronze, Kosetsu specialised in traditional chūkin (bronze casting) techniques, creating works distinguished by their technical refinement, rich patination, and sculptural detail. His oeuvre frequently incorporated classical East Asian motifs, including karashishi (Chinese mythical lions), Buddhist imagery, and nature-inspired decorative themes. These subjects were rendered with a balance of strength and elegance that reflected both the craftsmanship of Takaoka metalwork and the aesthetic traditions of Japanese decorative arts.